Biography
Vanessa del Rio (born as Ana Maria Sanchez; March 31, 1952) is an American retired pornographic actress. Vanessa del Rio was born and raised in Harlem, New York, the daughter of immigrants from Cuba and Puerto Rico and of mixed African and Spanish background. Vanessa del Rio began appearing in adult films in 1974 after a strict Catholic upbringing and interest in sex. In the span of about 25 years, del Rio has appeared in over 100 pornographic films and in several music videos, notably "Get Money" by Junior M.A.F.I.A.
Though Vanessa del Rio retired from adult films in 1986 in part due to the AIDS scare prevalent at the time, she returned shortly after and continued her porn career until 1999. Afterwards, she remains somewhat active in the adult entertainment industry through her web site and by making special appearances at award shows, conventions, etc. During and after her porn career, Vanessa del Rio appeared on many TV shows as herself, including a 1996 episode of NYPD Blue.
Star Info: Aliases: Ursula Passarell, Vanessa del Rio. "A real nasty Latin lady, Vanessa is famous for being a fierce cocksucker, which has helped to make her one of the most loved porn queens of all time. But her erotic talents don't stop at a prick in her mouth. She's jumpy in bed as well, tossing and turning, screaming and yelling, with exuberant pleasure. It's no wonder that Vanessa became an all-time favorite of porn fans, from the time of her career entry in 1975's Reunion, tight on to today, even though she's been retired since 1986 with nearly 100 film to her credit." -- Adam Film World
Vanessa del Rio (born as Ana Maria Sanchez; March 31, 1952) is an American retired pornographic actress. Vanessa del Rio was born and raised in Harlem, New York, the daughter of immigrants from Cuba and Puerto Rico and of mixed African and Spanish background. Vanessa del Rio began appearing in adult films in 1974 after a strict Catholic upbringing and interest in sex. In the span of about 25 years, del Rio has appeared in over 100 pornographic films and in several music videos, notably "Get Money" by Junior M.A.F.I.A.
Though Vanessa del Rio retired from adult films in 1986 in part due to the AIDS scare prevalent at the time, she returned shortly after and continued her porn career until 1999. Afterwards, she remains somewhat active in the adult entertainment industry through her web site and by making special appearances at award shows, conventions, etc. During and after her porn career, Vanessa del Rio appeared on many TV shows as herself, including a 1996 episode of NYPD Blue.
Star Info: Aliases: Ursula Passarell, Vanessa del Rio. "A real nasty Latin lady, Vanessa is famous for being a fierce cocksucker, which has helped to make her one of the most loved porn queens of all time. But her erotic talents don't stop at a prick in her mouth. She's jumpy in bed as well, tossing and turning, screaming and yelling, with exuberant pleasure. It's no wonder that Vanessa became an all-time favorite of porn fans, from the time of her career entry in 1975's Reunion, tight on to today, even though she's been retired since 1986 with nearly 100 film to her credit." -- Adam Film World
VANESSA DEL RIO ON
STRIPPING...
Sophie: When did you start all
this adult stuff?
Vanessa: In 1974 I started making movies, but I had already been working as
a go-go dancer. I started out as a computer programmer, but that didn't last
because I was not the nine to five type.
Sophie: Are you
originally from New York?
Vanessa: Yes. Born in Harlem.
Sophie: Where did you dance
as a go-go dancer?
Vanessa: All over. You know, you get your assignments and they send you all
over Manhattan and Queens.
Sophie: Were you topless at the
time?
Vanessa: Yes. Let me
think, that's going way back. Some were topless and some were totally nude.
That's when all you needed was a bag full of g-strings, so you traveled light.
Sophie: Some of these girls that became features never danced
before and they don't know how to dance.
Vanessa: You mean, they do movies
just to get a feature name and then they go and they feature? I know a lot of
dancers that had big grief because girls from the movies were getting paid more,
no acts, they didn't know how to dance... The strippers that had spent thousands
of dollars on their costumes were complaining that it wasn't fair. But, you
know, it's all about the draw. But, I dance very well, if I do say so myself.
And I strip the old fashioned way. It's about teasing. You can't give it to them
all at once. I've actually seen girls take their bottoms off before they even
take their tops off. They're giving away the whole goods the minute they get up
there.
Sophie: I like the sentence, "You can't give it to them
all at once."
Vanessa: Yea. I've
seen some of them as soon as they get up on stage they hike their skirts up
and they either take off a g-string or they don't have one on to begin with and
they still have their bras on, and I think that's a little backwards. Fast and
backwards.
Sophie: I have seen once a girl make an awful lot
of money. She wore some kind of a dress that was very slinky and had nothing
underneath and she was just flashing.
Vanessa:
Well, see, that's tease. If you can't really see it all and
you just flash real quick, there's tease involved there. It's also a lot of
attitude. If you come across with a very coy, sexy teasing attitude, guys love
that, instead of the really aggressive. I saw one girl and she was actually
hitting the guys in the face with her breasts. I found that kind of interesting.
(laugh). I guess they say that you've got to have a gimmick.
Sophie: How do you dance that's teasing?
Vanessa: I wear a lot of things so
that I can peel the clothes off. It's better when a woman just teasingly takes
off piece by piece and becomes more and more naked. But then again, they don't
have that long to dance nowadays anyway. They give them maybe two songs, so
they've got these two songs to make all their money and you can't have much of
an act in two quick songs.
Sophie: Every club is different.
Most clubs you don't have the stage for yourself; you share it with other girls,
so then it's even more difficult. I remember the last time you did a show in
North Jersey at a place called Fantasie's at the time and it was about six or
seven years ago. I didn't have a chance to see you then. So you work out two
hours a day? you must be strong.
Vanessa:
Well I just recently started doing it again. I had stopped
for a few years. I stopped about two years ago and have just recently started
again. I'm doing it more to tone down, firm up and slim down. I'm not looking to
win any prizes.
Sophie: So that ambition is gone.
Vanessa: It's very hard to do it to
that level. It has to be a real burning passion. You have to want it so badly
that your whole life is encompassed by what you eat, what you do, how long you
work out. You're constantly thinking about it.
VANESSA DEL RIO ON DOING
MOVIES...
Sophie: When did you do a movie last?
Vanessa: Oh, about.....
Sophie: You do still remember, right?
Vanessa: Oh, sure. I did it for about
twelve years, I hope it's not a lost memory.
Sophie: I want to
compare this chatting to sex and I want to see if doing movies and having sex in
front of the camera with different partners is stimulating.
Vanessa: Oh yes. I mean you can't
last in the business if it's not exciting. You have to feel something.
Sophie: Sometimes it's not even possible to feel it when
somebody really means sex just for the sake of sex. So what do you have to
possess? What special ability do you need to be able to generate yourself?
Vanessa: Well, there's got
to be a certain part of you that's an exhibitionist. That is sexual to begin
with, so once you start getting into it, you just naturally get into it because
you have a sexuality that's expressing itself. I can't remember moments that I
was thinking that I'd rather be someplace else. In the moment there is an
adrenaline that's going on, and you're acting and you're enjoying yourself, so
you have to be in the moment. That's what I think it takes.
Sophie: Does a man have to be desiring you just to get an
erection?
Vanessa: No, I
have heard a guy say that if he's not into the girl he's got to think about
something else. The guys, I've got to give it to them. They've got to get it up
in front of all these people. The guys have the harder job. A woman can fake it.
She puts on high heels and stockings and she can prance around and fake being
sexy just by looking sexy. With a guy, he actually has to show that he's turned
on. So I give the guys credit because they can get hard-ons just being there,
even if the girl doesn't turn them on. So that's a feat in itself, and they get
paid less. This is the one area where women get paid more than men, and the men
have to really put out.
Sophie: Why do you think that is?
Vanessa: It's because of
the woman that the movie is being done for, I mean, unless you're doing gay
films. That's what sells. It's men who are buying it. They're buying the women
to see them in sex acts.
Sophie: So it's again a draw issue,
right?.
Vanessa: Right. I
don't think they're buying it for the guys. The guys have to be there though,
because the viewers are imagining that they are that guy. So in essence the guy
is just a piece of meat that's being used. Maybe the reason that there are so
many problems, is because this is the only business where women actually are in
control, if they know how to take the control. It's the woman who's getting paid
more, it's the woman that commands the attention, she's in control. In other
words, it's because of her that they're doing the movie. And the guy is just
there to fulfill the fantasy of the guy that's buying the movie. I'm just
looking at it facetiously like that. In essence, he's the one that has to do all
the work, because putting on high heels and stockings isn't work to us, it's
part of us. He's not really working that hard either, but he's got to actually
have a hard-on. So that to me is tough.
Sophie: I probably
couldn't get it up.
Vanessa: But yet these guys that do it have been around for years. They're like sex
machines, I suppose. But you know what I found interesting? The last time I
did movies, and I haven't done movies in a while the last bunch in 1985-1986, and
I happened to notice that the guys' balls were smaller than I remembered and
I think that's because they use them so much, they're constantly using them
in a way that they can always get hard-ons. That was a silly observation on
my part, but just an observation. I just happened to think tooling
at this guy's balls that his balls were smaller than I remembered
and it's because he makes so many movies.
Sophie: So when you
make movies, you have way more sex than you would in the normal course of life,
right?
Vanessa: No, not
necessarily, because in the twelve years that I did movies I only did about 100,
maybe 120. And that may sound like a lot, but nowadays, they'll do that many in
two years. When I was in it, it wasn't something I did all the time. I didn't
like to work all the time because I didn't want to wear out my sexuality and I
didn't want to be overexposed.
Sophie: So the 120 was 120
movies?
Vanessa: Well that
includes the little quick 8mm ones and the full features. So between all of
them, I only did about 120. But then what they did was take little clips and
then make another movie out of that, so it may seem like I did a lot more.
Sophie: So having sex 120 times in ten years is not so
horribly much then?
Vanessa: No, even more than that is not so horribly much.
Sophie: Right. So it's not like one after the other? Because
in a normal movie they would take and re-take and take again, and that could be
very tiring...
Vanessa: Yes, well, in the course of a day you have to keep at it. I
remember there was one small company, or group of people, that used to do loops
and were known for wearing out the actors. He would just keep shooting. I
actually saw this girl, just her face, and it was like, "Can we just get out of
here?" And it was funny because the camera was behind her so they couldn't see
her face and the guy is fucking her from behind and I was looking on because I
was behind the scenes and she had the most disgusted look on her face, and the
cameras couldn't see. She literally had her chin on her hand, almost like
strumming her fingers, and she just looked totally disgusted, just like, "All
right already." And the guy's just going at it and going at it. And sometimes
what happens is that if you do that for too long, the guy can't come. He has a
hard-on, but he can't come, because it's so much stop and start that it almost
gets stuck on hard-on and the guy (the producer) would take full advantage of
that and just shoot from every conceivable angle to get all this footage.
Sophie: That must also be painful, because there is no more
lubricant...
Vanessa: Well,
you know, they stop and lubricate.
Sophie: Ha-ha. What do they
do to lubricate?
Vanessa: They say, "Auw, I'm dry, get me some k-y." At that time they used
k-y or better yet, Albuline cream. I don't even know if they sell it any more
that make-up remover. It stays very lubricated for a long time whereas k-y would
get real tacky.
Sophie: No, I never needed lubricant, ha-ha.
Vanessa: Well, if you're on
a set all day long.
Sophie: Well actually I lied. There was
one boyfriend who was really much more sexual than I was. I was just like, "Oh,
please... Enough"
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